In a broad sense, Mexican architecture comprises works of architecture created in Mexico, as well as architecture of pre-Hispanic and colonial times that have become part of Mexico's architectural heritage. Moreover, architectural styles of the independent nation have a strong influence from those previous epochs; therefore it is necessary to include them as part of this heritage. Mesoamerican architecture is the set of architectural traditions produced by pre-Columbian cultures and civilizations of Mesoamerica, traditions which are best known in the form of public, ceremonial and urban monumental buildings and structures. The distinctive features of Mesoamerican architecture encompass a number of different regional and historical styles, which however are significantly interrelated. These styles developed throughout the different phases of Mesoamerican history as a result of the intensive cultural exchange between the different cultures of the Mesoamerican culture area through thousands of years. Mesoamerican architecture is mostly noted for its pyramids which are the largest such structures outside of Ancient Egypt.
 
The Guadalajara Cathedral an example of Mexican colonial architecture.

Spanish Colonial architecture, which dominated in the early Spanish colonies, is marked by the contrast between the simple, solid construction demanded by the new environment and the Baroque ornamentation exported from Spain. Mexico, as the center of New Spain has some of the most renowned buildings built in this style. With twenty-nine sites, Mexico has more sites on the UNESCO World Heritage list than any other country in the Americas, many of them boasting some of the richest Spanish Colonial architecture. Some of the most famous cities in Mexico built in the Colonial style are Puebla, Zacatecas, Querétaro, Guanajuato, and Morelia.

During President Porfirio Diaz's reign (1876-1880, 1884-1911), patrons and practitioners of architecture manifested two impulses: to create an architecture that would indicate Mexico's participation in modernity and the emphasize Mexico's difference from other countries through the incorporation of local characteristics into the architecture. The first goal took precedence over the second during most of the 19th century. A modern, sophisticated Mexico was the goal of President Diaz. Cast iron, marble, granite, bronzes and stained glass became mainstays of this period. Diaz was determined to transform the landscape of the nation's capital into one reminiscent of Paris or London. It is not surprising that the most important architectural commissions of the Porfiriato were built in these styles.
 
The Juarez Theatre built in Porfirian style in 1903, is an example of Mexican styled architecture which integrates European architecture with pre-Hispanic elements.

Examples include the Postal Palace, the National Theatre of Mexico (1904), the Legislative Palace (1903), the Secretariat of Communications and Public Works (1902-11). Neo-Gothic designs were also incorporated into the monumental public buildings of the early 20th century. The two best examples were the Central post office and the Palacio de Bellas Artes.
 
Modern Mexican high-rise architecture seen in Santa Fe, Mexico.

After the Mexican Revolution in 1917, idealization of the indigenous and the traditional symbolized attempts to reach into the past and retrieve what had been lost in the race toward modernization. The School of Theatre (1994), by TEN Arquitectos, and the School of Dance (1994), by Luis Vicente Flores, express a modernity that reinforces the government's desire to present a new image of Mexico as an industrialized country with a global presence. Enrique Norten, the founder of TEN Arquitectors, was presented with the "Legacy Award" by the Smithsonian Institution for his contributions to the US arts and culture through his work. In 2005 he received the "Leonardo da Vinci" World Award of Arts by the World Cultural Council and was the first Mies van der Rohe Award recipient for Latin American Architecture.

The José Vasconcelos Library, designed by Alberto Kalach, in Mexico City The refined work of Alberto Kalach and Daniel Alvarez stands out both in their numerous residences as well as in the San Juan de Letrán Station (1994) in Mexico City. The residential work of José Antonio Aldrete-Haas in Mexico City shows both the influence of the attenuated Modernism of the great Portuguese architect Álvaro Siza and a continuity with the lessons of Barragán. Other notable and emerging contemporary architects include Mario Schjetnan, Michel Rojkind, Tatiana Bilbao, Isaac Broid and Bernardo Gómez-Pimienta, Juan C. Ordaz Coppel and Jacinto Avalos from Avalos Arquitectos y Asociados with award winning works in Mexico, USA and Europe. Modern buildings (especially skyscrapers) in Mexico share many design parallels with modern urban Japanese, Chinese and German architecture however modern Mexican architecture usually integrates elements of both Hispanic and amerindian architectural styles.

Guadalajara, Jalisco, the second-largest city by population in the Republic, is home of some of Mexico's best known traditions, such as tequila, mariachi music and charros, or Mexican cowboys. Its similitude with western European countries mixed with modern architecture and infrastructure makes Guadalajara very attractive to tourists. Along with Mexico City and beach destinations (Cancun, Acapulco, etc.), Guadalajara is one of the most visited cities in Mexico. Cultural tourism is the main attraction, the city being home to a large number of museums, art galleries and theatres.
 
A riverboat in the Santa Lucia river, Monterrey .

The city is also the host of several internationally-renowned events, such as the Guadalajara International Book Fair which is the most important exposition of its kind in the Spanish-speaking world, and the second largest book fair in the world.[172] The city is known as a pioneer in the underground arts scene as well as in the electronic music world, another main touristic attraction. Its diversity of European architectural styles is a focus of attraction for tourists, in particular the Metropolitan Cathedral, the Degollado Theatre and the Hospicio Cabañas which is a World Heritage Site and one of the oldest hospital complexes in Spanish America. Other tourism activities include shopping at its world class shopping malls, or plazas, taking a tour to the surrounding areas such as the Huentitan Canyon, Tonalá, Tlaquepaque, Chapala or visiting nearby towns, which are well-connected by modern highways, such as Tequila (the home of the heavenly liquid), Puerto Vallarta or Mazamitla, depending upon whether the visitor wishes to visit a colored bohemian and cultural town, a world-destination beach or stay in a cabin in the middle of the forest.

Monterrey, Nuevo Leon, was founded in the late 16th century. The downtown district is the oldest section in the city, surrounded by newer neighbourhoods. The Museo de Historia Mexicana (Museum of Mexican History), MARCO (Monterrey Museum of Contemporary Art), Metropolitan Museum of Monterrey and the Museum of the Palacio de Gobierno, or State House, are some of the better known museums in the city, as well as nationally. The Santa Lucia Riverwalk is a popular tourist site, connecting the Fundidora Park with the Macroplaza, one of the largest plazas in the world.